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[攝影] 经典图片 昨日重现[100P]

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  v  \! Z# [. p, D% V( T* U( CLIFE in the 20s
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. U! ]: m1 t* L" c1 \) W; `. QViktoriya Sasonkina by Steven Meisel/ R& \& y# {, m# h; g+ v: [) x
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7 E) x! L! n* S, E0 Lwenen, Danseres Lulu Mirskeija carnaval Wenen 1928 by janwillemsen on Flickr. Via Flickr:
+ Q1 K0 H3 s& k9 a" Sfoto uit Spaarnestadarchief, tijdschrift Het leven
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1 J+ z3 _& x$ q- `8 V. h4 Q& x(via Happy Birthday Marvin Gaye )
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, G. `% r7 y. S  r' r; TSolar shower, 1966 by Leonid Yablonsky
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Monument To Sade by Man Ray, 1933
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& Q3 b+ ?" ^/ c+ I) k* g; wEaster’s coming…7 p: L9 o& I$ U+ O( _
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Dirigible Over St. Basil’s Cathedral, Red Square, Moscow (1921)
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Sunday morning, 1945, photographed by Robert Doisneau
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7 C3 ^% q6 n  A) B7 qLittle Deuce Coupe
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Whitman Twiggy Paper Doll Set 1967 (by hmdavid ). U) a. O! N! z3 @2 [0 M
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' h: k- Z1 ?) L& r% bAlberto Vargas (by oldcarguy41 ) April 1944# ?2 e( Y2 d+ z+ S$ o2 U
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Portrait Willis Bock  by  Otto Umbehr  (Umbo), 1928
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& }2 K6 x9 d+ N“enzo sellerio’s work is critical and challenging, often referring to sicily’s dark history, but just as often it tells a passionate, involving intelligent and even amusing tale of everyday life there, with all its verve and vitality. he captures grace and irony with a magical depth, and this image of a street scene in palermo is the result of a deeply felt empathy with his surroundings, a perpetual sense of wonder, and a sharp eye for graphic composition. the image’s structure resides in a rigid geometric scheme established by the sides of the chairs perched on the children’s heads, which are perfectly centred within the frame yet at the same time create a sense of dynamism, with their broken line suggesting a climb or descent. the compositional balance is further offset by the position of the children’s legs, along with the silhouette of a man to the side of the frame. perhaps this dark, hunched figure, wrapped up in a coat that’s too long for him, embodies the true mystery of the photograph.” children carrying chairs, palermo, 1960 photo by enzo sellerio, from photobox: bringing the great photographers into focus0 H6 O  M) D! W( z5 o9 X
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, J( [$ S* Y1 Z; a9 LHolly reading by John Willie , c. 1930s * I  \$ V! K3 q0 k
Also at foxesinbreeches9 C5 Y7 c! w# E. Y$ J4 q/ m
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( \7 v& M/ D9 m$ j8 ]' [0 LAndrew Loomis (From “Remember Me,” Ladies Home Journal , September 1944)
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0 s  x1 [( N" F8 P- e3 vJimi Hendrix.6 Z- K3 r, X/ N1 W
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John Whitcomb (From “A Woman to Remember,” Ladies Home Journal , November 1947)# |4 G+ x1 R2 b4 l& t5 N& G! v
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Zora Neale Hurston, 1935
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Frank Sinatra and Mia Farrow at Truman Capote’s Black and White Ball, New York, 1966
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5 f# ?+ n! H* @3 V. p2 xJohn Lennon
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: U4 C6 o/ k" n; w5 sBeauty treatment, 1950s
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Dorian Dennis    aka. “Miss French Riviera” .. Photo courtesy of the Janelle Smith collection..
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The Atomium in Brussels nearing completion. It was built for Expo ‘58, designed by André Waterkeyn based on the form of an iron crystal. The car in the foreground is a Tatra 603 from the same year.' q) |& b2 Z1 G) {! C: ^1 S7 t
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Showgirls, 1958' s8 |) a0 B8 \% X% L
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Lucy
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" i! N5 _* _0 p3 c“April 1st is absolutely the worst day on the Internet. I’m going outside. ”: u7 i7 y7 u5 P6 g
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$ v9 @# w0 d3 o& Tinge morath,  a llama in time square, new york city, 1957 happy april fools!* |( h) J* L' t9 F$ n( q7 {
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* Q2 c3 ^8 R1 ^Texas road map from Humble Oil, 1957( \0 i  r9 T; Q2 z
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5 s! H5 D) U) S3 ?' J+ _, ?Jeanne Moreau as Le Sphinx in a 1954 adaptation of La Machine infernale by Jean Cocteau
; d( V6 m8 W' JPhoto by Thérèse Le Prat  `' t# A/ I1 Q9 G1 p$ G
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Esquire pin-up, “Calamity”, 1947 Illustration by Ben-Hur Baz
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Anita Ekberg/ V. I. K) l9 M: o: U0 s6 h/ Z
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1 O  F/ X( j+ [$ y; y" t/ A* j# r5 wJessica Rabbit.4 z+ j: j0 Q7 k1 G# h1 @# {  M
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! m; e, j" `" aIrina Baronova
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# y/ I% Z4 w; f# K# PElliott Erwitt New York City, Third Avenue El, 1955  ~+ [$ R7 R5 J+ Y( e9 u8 M+ V" `
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; j( X3 S% [! ]- E5 E5 V9 i& [c a. 1870, [Tintype portrait of a gentleman pensively playing the accordion] via Christopher Wahren Fine Photographs
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/ U. b& a. {. A  s) N8 k(via Vintage Scans: Lili St. Cyr ) From  Modern Man , August 1956.
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Friederike Kierschner9 d: M5 @. ?# _5 U
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Edouard Boubat, Collioure, 1954
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, \7 d& P8 H' tHappy April Fools Day! ~ French postcard, Circa 1907.  via
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* H  T) v/ b6 G$ x! A  [I feel like this should be some sort of April Fools joke — but no, this really was a rehearsal for an underwater wedding in San Marcos, Texas. (see more photos here )
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René Jacques L’homme de nuit, 1939
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3 \% W% I8 M. J& M2 e* hDavid Bowie., N' ]8 m8 a! W1 i) m$ M% C7 k% a
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Marilyn Monroe and Betty Grable in How to Marry a Millionaire (1953): z, c8 X, h5 m& R2 E4 I" k$ }
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Boris Karloff in Bride of Frankenstein .+ f9 h1 C) b& i2 H% ^- W
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Dorothy Stone (date of photo not known)* K0 T2 v. @8 a4 a
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Lucie Clayton instructs finishing school pupils, Old Cavendish St, London, 1936
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& ^3 z) N  E' Q3 x' v' B# aGroup of ladies at the Midwest Horse Show, c.1938, Chicago. This event was the pinnacle of the African American social scene in Chicago.9 R) N8 X# k: t; r) ?5 F4 C
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Marilyn Monroe in 1946….
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, f6 I0 i) g' P0 Z% [* QBrockton Enterprise newspaper building, Brockton, MA circa 1940’s
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6 C( K2 N% h7 R0 H) L8 d; q( RWherever The Voyage Leads You (by wackystuff ) French April Fools postcard
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) K$ y7 P2 c$ g9 l  \' d8 F- lTwo Ziegfeld Girls c.1926; b: A! b( W; w! w6 z
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(via Photos: Spring – Johanna’s blog ) Source:  1940’s throwback
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) K& g1 f2 q& i4 JBallet Mécanique,  Fernand Léger and Dudley Murphy (1924)
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Ballerinas, 1936 by Alfred Eisenstaedt
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0 c+ M: D5 ^- ]- P) c1 IElizabeth Taylor on the set of Giant photographed by Frank Worth, 1955
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